Hip hop production
Live instrumentation is not as widespread in hip hop, but is used by a number of acts and is prominent in hip hop-based fusion genres such as rapcore. Before samplers and synthesizers became prominent parts of hip hop production, early hip hop hits such as "Rapper's Delight" (The Sugarhill Gang) and "The Breaks" (Kurtis Blow) were recorded with live studio bands. During the 1980s, Stetsasonic was a pioneering example of a live hip hop band. Hip hop with live instrumentation regained prominence during the late-1990s and early 2000s with the work of The Goats, The Roots, Common, DJ Quik, and OutKast, among others. Instrumental hip hop is hip hop music without vocals. Hip hop as a general rule consists of two elements: an instrumental track (the "beat") and a vocal track (the "rap"). The artist who crafts the beat is the producer, and the one who crafts the rap is the MC. In this format, the rap is almost always the primary focus of the song, providing most of the complexity and variation over a more or less repetitive beat.
Instrumental hip hop is therefore hip hop music without emcee accompaniment. This format affords the producer the flexibility to create more complex, richly detailed and varied instrumentals, with less emphasis on vocals. Songs of this genre may wander off in different musical directions without the vocal constraints of the MC.
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Instrumental Hip Hop
Purely instrumental hip hop tracks were not popular throughout the 1980s, but producers have made and released hip hop beats without MCs since hip hop's inception. The release of DJ Shadow's debut album Endtroducing... in 1996 saw the beginnings of a rise in instrumental hip hop. Relying mainly on a combination of sampled funk, hip hop and film score, DJ Shadow chose to describe his music as "cinematic hip hop", and he has influenced countless producers and musicians from many genres ever since. In recent years, artists such as RJD2, J Dilla, Pete Rock, MF Doom, Danny!, Madlib, and Blockhead have garnered critical acclaim with a number of instrumental hip hop albums.
Instrumental hip hop has yet to be fully recognized as a genre unto itself, and is often lumped in with trip hop, downtempo, electronica, or industrial music. This may in part be because it is so hard to classify, as when a hip hop beat is separated from rapping and varied enough to hold a listener's attention by itself, it can go off in many musical directions.
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