Dressage
At the apex of the training scale stands collection. It may refer to collected gaits: they can be used occasionally to supplement less vigorous work. It involves difficult movements, such as flying changes) in more advanced horses. Collection requires greater muscular strength, so must be advanced upon slowly. When in collected gait, the stride length should shorten, and the stride should increase in energy and activity.
When a horse collects, he naturally takes more of his weight onto his hindquarters. Collection is natural for horses and is often seen during play in the meadow. A collected horse is able to move more freely. The joints of the hind limbs have greater flexion, allowing the horse to lower his hindquarters, bring his hind legs further under his body, and lighten the forehand. In essence, it is the horses ability to move its centre of gravity more backward. This should be shown during each transition to a lower gait, even by a novice horse.
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Airs above the ground
These are a series of higher-level dressage maneuvers where the horse leaves the ground. These include the capriole, courbette, the mezair, the croupade, and levade. None are typically seen in modern competitive dressage, but are performed by horses of various riding academies, including the Spanish Riding School in Vienna and the Cadre Noir in Saumur. Horses such as the Andalusian, Lusitano and Lipizzan are the breeds most often trained to perform the "airs" today, in part due to their powerfully-conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.
There is a popular conception that these moves were originally taught to horses for military purposes, and indeed both the Spanish Riding School and the Cadre Noir are military foundations. However, while agility was necessary on the battlefield, most of the airs as performed today would have actually exposed horses' vulnerable underbellies to the weapons of foot soldiers.[1] It is therefore more likely that the airs were exercises to develop the military horse and rider, rather than to be employed in combat.
Horses are usually taught each air on the long rein without a rider, which is less strenuous for the animal. However, each movement is meant to eventually be performed under a rider.
The pesade and levade are the first airs taught to the High School horse, and it is from these that all other airs are taught. In the pesade, the horse raises his forehand off the ground and tucks his forelegs evenly, carrying all his weight on his hindquarters, to form a 45 degree angle with the ground. The levade was first taught at the beginning of the 20th century, asking the horse to hold a position approximately 30-35 degrees from the ground. Unlike the pesade, which is more of a test of balance, the decreased angle makes the levade an extremely strenuous position to hold, and requires a greater effort from the horse. Therefore, many horses are not capable of a good-quality levade. The levade is also a transition movement between work on the ground and the airs above the ground. Neither of these movements are equivalent to rearing, as they require precise control, excellent balance, and a great deal of strength, and are the product of correct training, rather than resistance from the horse.
The horse is asked to enter the pesade or levade from the piaffe, which asks the horse to increasingly engage his hindquarters, lowering them toward the ground and bringing his hind legs more toward his center of gravity. This gives the viewer the impression that the horse appears to sink down in back and rise in front. The position is held for a number of seconds, and then the horse quietly puts the forelegs back on the ground and proceeds at the walk, or stands at the halt. The levade is considered to be pinnacle of collection, as the horse carries all of his weight on his back legs, and has an extreme tucking of the hindquarters and coiling of the loins. It is also an excellent way to test that the horse is truly straight and obedient. Video of the Pesade Video of the Levade
In the capriole (meaning leap of a goat), the horse jumps from a raised position of the forehand straight up into the air, kicks out with the hind legs, and lands more or less on all four legs at the same time. It requires an enormously powerful horse to perform correctly, and is considered the most difficult of all the airs above the ground. It is first introduced with the croupade, in which the horse does not kick out at the height of elevation, but keeps his hind legs tucked tightly under, and remains parallel to the ground. The horse is then taught the ballotade. In this movement, the horse's hind hooves are positioned so one can see its shoes if watching from behind, but the horse is not asked to kick out. When the horse demonstrates proficiency in the ballotade, the capriole is introduced. Video of the Capriole
In the courbette, the horse raises his forehand off the ground, tucks up his forelegs evenly, and then jumps forward, never allowing the forelegs to touch down, in a series of "hops". Extremely strong and talented horses can perform five or more leaps forward before having to touch down with the forelegs, although it is more usual to see a series of three or four leaps. The courbette, like the capriole, is first introduced through the easier croupade. Video of the Courbette
In the mezair, the horse rears up and strikes out with its forelegs. It is similar to a series of levades with a forward motion (not in place), with the horse gradually bringing its legs further under himself in each successive movement and lightly touching the ground with his front legs before pushing up again. The meziar was originally called the courbette by the old dressage masters, and it is no longer practiced at the Spanish Riding School.
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Dressage Masters
- Xenophon (427-355 BCE): the earliest European master with surviving treatises, the Greek General wrote The Art of Horsemanship which advocated the use of sympathetic training of the horse. Despite living over 2000 years ago, his methods and ideas are still widely praised.
- Federico Grisone (mid-1500s): one of the few to write on horsemanship since Xenophon. Was considered a master of his time, despite his extremely harsh and cruel methods.
- Giovanni Battista Pignatelli (mid- to late-1500s)
- Solomon de la Broue (1530-1610 )
- Antoine de Pluvinel (1555-1620): The first of the French riding masters, author of L’Instruction du Roy en l’Exercise de Monter a Cheval, tutor to King Louis XIII, and is the first notable writer to advocate for gentle training since Xenophon.
- William Cavendish, 1st Duke of Newcastle (1592-1676): Master of Horse to Charles II of England.
- Francois Robichon de la Gueriniere (1688-1751): Taught the classical position still used today, introduced the flying change, and had great impact on the Spanish Riding School.
- Francois Baucher ( 1796-1873): introduced the one-tempi flying change, his method, which is still hotly contested, was based on the fact that the horse's jaw is the source of all resistance. His methods include some which relate to the rollkur training practices of today.
- Gustav Steinbrecht (1808-1885)
- Alois Podhajsky (1898 - 1973): Became director of the Spanish Riding School in 1939 and is credited with saving the Lipizzaners. His books form the basis of Classical Dressage today.
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Tack and dressage
Dressage horses are shown in minimal tack. They are not permitted to wear boots (including hoof or bell boots) or wraps (including tail bandages) during the test, nor are they allowed to wear martingales or training devices such as draw or running reins or the gogue anywhere on the showgrounds during the competition. Due to the formality of dressage, tack is usually black leather, although dark brown is seen from time to time.
An English-style saddle is required for riding dressage, specifically a "dressage saddle" which is modeled exclusively for the discipline. It is designed with a long and straight saddle flap, mirroring the leg of the dressage rider, which is long with a slight bend in the knee, a deep seat and usually a pronounced knee block. The saddle is usually placed over a square, white saddle pad. A dressage saddle is required in FEI classes, although any simple English-type saddle may be used at the lower levels.
At the lower levels of dressage, a bridle includes a plain cavesson, drop noseband, or flash noseband. As of 2006, drop nosebands are relatively uncommon, with the flash more common. At the upper levels a plain cavesson is used on a double bridle. Figure-eight nosebands are rare, and usually only seen in the dressage phase of eventing. Riders are not allowed to use Kineton nosebands, due to their severity.
The dressage horse at lower levels is only permitted to be shown at recognized competitions in a snaffle bit[2]. Though the detail regarding bitting vary slightly from organization to organization. The loose-ring snaffle with a single- or double-joint is most commonly seen. Harsher snaffle bits, such as twisted wire, corkscrews, slow-twists, and waterfords are not permitted, nor are pelhams, kimberwickes, or gag bits. Upper level and FEI dressage horses are shown in a double bridle, using both a bradoon and a curb bit with a smooth curb chain.
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Turn-out of the dressage horse
Dressage horses are turned out to a very high standard, as competitive dressage is descended from royal presentations in Europe. It is traditional for horses to have their mane braided. In eventing, the mane is always braided on the right. In competitive dressage, however, it is occasionally braided on the left, should it naturally fall there. Braids vary in size depending on the conformation of the horse, but Europeans tend to put in fewer, larger braids, while horses in the United States usually have more braids per horse (possibly from the influence of hunter-style riding in the country). Braids are occasionally accented in white tape, which also helps them stay in throughout the day. The forelock may be left unbraided; this style is most commonly seen on stallions.
Horses are not permitted to have bangles, ribbons, or other decorations in their mane or tail. Tail extensions are permitted in the United States and Australia.
The tail is usually not braided (although it is permitted), because it may cause the horse to carry the tail stiffly. Because the tail is an extension of the animal's spine, a supple tail is desirable as it shows that the horse is supple through his back. The tail should be "banged," or cut straight across (usually above the fetlocks but below the hocks when held at the point where the horse naturally carries it). The dock is pulled or trimmed to shape it and give the horse a cleaner appearance.
The bridle path is clipped or pulled, usually only 1-2 inches. The animal's coat may or may not be trimmed. American stables almost always trim the muzzle, face, ears, and legs, while European stables do not have such a strict tradition, and may leave different parts untrimmed.
Hoof polish is usually applied before the horse enters the arena. The horse should be impeccably clean, with a bathed coat and sparkling white markings. Foam should not be cleaned off the horse's mouth before he enters the arena.
Quarter marks are sometimes seen, especially in the dressage phase of eventing, however they are not currently in style for competitive dressage.
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The rider's clothing
Dressage riders, like their horses, are dressed for formality. In competition, they wear white breeches, that are usually full-seat leather to help them "stick" in the saddle, with a belt, and a white shirt and stock tie with a gold pin. Gloves are usually white, although less-experienced riders or those at the lower levels often opt for black, as their hand movement will not be as noticeable. The coat worn is usually solid black with metal buttons, although solid navy is also occasionally seen. For upper-level classes, the rider should wear a shadbelly with a yellow vest or vest points, rather than a plain dressage coat.
Riders usually wear tall dress boots, although field boots may be worn at the lower levels. Spurs are required to be worn at the upper levels. A whip may optionally be carried, though its length is regulated.
If the dressage rider has long hair, it is typically worn in a hair net. The hair net is carefully selected to blend in with the rider's hair color. Lower-level riders may use a derby, hunting cap, or helmet covered in velveteen with a safety harness. Upper-level riders are required to wear a more formal and less protective top hat, matching their coat.
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Dressage Scribing
Scribing (also known as Penciling) is the writing down of the scores and comments of Judges at dressage events, so that the Judge is able to concentrate on the performance. In addition to this the scribe should check the identity of each competitor, and ensure that the test papers are complete and signed before handing them to the scorers. The scribe should have some knowledge of dressage terminology, be smartly dressed and have legible handwriting. The scribe should also be professional in manner, neutral and not engage in small talk or make comments. It is permissible to use abbreviations provided they are accepted and intelligible - See [2] and [3]
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References
- ^ Chamberlin, J. Edward. Horse: How the Horse Has Shaped Civilizations. Bluebridge, 2006, p. 166-167 ISBN 0-9742405-9-1
- ^ For example, [http://www.usef.org United States Equestrian Federation
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Sources
- Advanced Techniques of Riding (1987) (Official Handbook of the German National Equestrian Federation) English Edition, Half Halt Press.
- Burns, T. E. and Clayton, H. M. (1997) Comparison of the temporal kinematics of the canter pirouette and collected canter. Equine Veterinary Journal Supplement 23, 58-61.
- Blackfern (2005) Printable Arena Diagram
- Clayton, H. M. (1997). "Classification of collected trot, passage and piaffe using stance phase temporal variables". Equine Veterinary Journal Supplement 23: 54-57.
- Clayton, H. M. (1995). "Comparison of the stride kinematics of the collected, medium, and extended walks in horses". American Journal of Veterinary Research 56: 849-852.
- Clayton, H. M. (1994). "Comparison of the stride kinematics of the collected, working, medium, and extended trot". Equine Veterinary Journal 26: 230-234.
- Clayton, H. M. (1994). "Comparison of the collected, working, medium, and extended canters". Equine Veterinary Journal Supplement 17: 16-19.
- Herbermann, Erik. Dressage Formula. Great Britain: J. A. Allen & Co Ltd., 1993
- Minetti, A. (1998) The biomechanics of skipping gaits: a third locomotion paradigm? Proc. R. Soc. Lond. B.
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External links
- Federation Equestre Internationale (FEI)
- US Equestrian Federation
- US Dressage Federation
- British Dressage
- Dressage Canada
- Spanish Riding School
- Classical Dressage
- Video of a Grand Prix Test
- Video of horses performing advanced dressage movements
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