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Doraemon



The ending themes used for the weekly Doraemon series airing between 1979 and 2005 were:

Song Title Performer Starting date Ending date
1. "Aoi Sora wa Pocket sa" (青い空はポケットさ?) Kumiko Oosugi (大杉久美子?) April 8, 1979 September 27, 1981
2. "Maru-gao no Uta" (まる顔のうた?) Nobuyo Oyama (大山のぶ代?) October 2, 1981 March 30, 1984
3. "Santa Claus wa Doko no Hito" (サンタクロースはどこのひと?) Nobuyo Oyama (大山のぶ代?) November 18, 1983 December 30, 1983
4. "Boku-tachi Chikyuu-jin" (ぼくたち地球人?) Mitsuko Horie (堀江美都子?) April 6, 1984 April 8, 1988
5. "Aozora-tte Iina" (青空っていいな?) Mitsuko Horie (堀江美都子?) April 15, 1988 October 2, 1992
6. "Ashita mo Tomodachi" (あしたも♥ともだち?) Yui Nishiwaki (にしわきゆい?) October 9, 1992 April 7, 1995
7. "Boku Doraemon 2112" (ぼくドラえもん2112?) Nobuyo Oyama, Koorogi '73 (大山のぶ代、こおろぎ'73?) April 14, 1995 September 20, 2002
8. "Mata Aeru Hi Made" (またあえる日まで?) Yuzu (ゆず?) October 4, 2002 April 11, 2003
9. "Tanpopo no Uta" (タンポポの詩 歌?) The Alfee (ジ・アルフィー?) April 18, 2003 October 4, 2003
10. "YUME Biyori" (YUME日和?) Hitomi Shimatani (島谷ひとみ?) October 10, 2003 May 28, 2004
11. "Aa Ii na!" (あぁ いいな!?) W (ダブルユー?) June 4, 2004 March 18, 2005

Since the 2005 series incorporated all the credits into the Opening Sequence, these three themes were used as the Ending Theme.

Song Title Performer Starting date Ending date
1. "Odore Dore Dora Doraemon Ondo 2007" (踊れ・どれ・ドラ ドラえもん音頭2007?) Wasabi Mizuta (水田わさび?) August 5, 2005 October 21, 2005
2. "Doraemon Ekaki-uta" (ドラえもん・えかきうた?) Wasabi Mizuta (水田わさび?)
3. "Dorami-chan Ekaki-uta" (ドラミちゃんのえかきうた?) Chiaki (千秋?)

Three songs were used for the separate weekday Doraemon series.

Song Title Performer
1. "Doraemon Ekaki-uta" (ドラえもん・えかきうた?) Nobuyo Oyama (大山のぶ代?)
2. "Doraemon Ondo" (ドラえもん音頭?) Nobuyo Oyama (大山のぶ代?)
3. "Dorami-chan Ekaki-uta" (ドラミちゃんのえかきうた?) Keiko Yokozawa (横沢啓子?)


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Significance

On 22 April 2002, on the special issue of Asian Hero in TIME Magazine, Doraemon was selected as one of the 22 Asian Heroes. Being the only cartoon character selected, Doraemon was described as "The Cuddliest Hero in Asia".

In 2005, the Japan Society of New York selected Doraemon as a culturally significant work of Japanese otaku pop-culture in its exhibit Little Boy: The Arts of Japan's Exploding Subculture, curated by renowned artist Takashi Murakami. In Murakami's analysis, he states that Doraemon's formulaic plotlines typified the "wish fulfilment" mentality of 1970s Japan, where the electronics revolution glamorized the idea that one could solve their problems with machines and gadgets rather than hard work or individual intelligence.[citation needed]

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References

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See also

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External links




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