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A Clockwork Orange



The term "Ultraviolence", referring to excessive and/or unjustified violence, was coined by Burgess in the book, which includes the phrase "do the ultra-violent." The term's association with aesthetic violence has led to its use in the media.[2][3][4][5]

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Awards and nominations

  • 1983 - Prometheus Award (Preliminary Nominee)
  • 1999 - Prometheus Award (Nomination)
  • 2002 - Prometheus Award (Nomination)
  • 2003 - Prometheus Award (Nomination)
  • 2006 - Prometheus Award (Nomination)[1]

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Other adaptations

The best known adaptation of the novel to other forms is the 1971 film by Stanley Kubrick, but there have been others. The earlier 1965 film by Andy Warhol entitled Vinyl was an adaptation.

Excerpts from the first two chapters of the novel were dramatized and broadcast on BBC TV's programme Tonight, 1962 (now lost, believed wiped).

After Kubrick's film was released, Burgess wrote a Clockwork Orange stage play. In it, Dr. Branom defects from the psychiatric clinic when she grasps that the aversion treatment has destroyed Alex's ability to enjoy music. The play restores the novel's ending: Alex deciding to start a family. One of Alex's early victims, a bearded trumpeter who plays "Singin' in the Rain" at the Korova milkbar, is modeled on Stanley Kubrick.

In 1990, a second play, titled A Clockwork Orange 2004,[citation needed] was written for the Royal Shakespeare Company. It makes no references to the film version, yet does away with the novel's ending. The performance was scored by Bono and The Edge of U2.[6] In 2001, UNI Theatre (Mississauga, Ontario) presented the Canadian premiere of the play under the direction of Terry Costa. http://mirateca.com/archives/archives/unitheatre19972001/default.aspx In 2002, Godlight Theatre Company presented the New York Premiere adaptation of Anthony Burgess's 'A Clockwork Orange' at Manhattan Theatre Source. The production went on to play at the SoHo Playhouse (2002), Ensemble Studio Theatre (2004), 59E59 Theaters (2005) and the Edinburgh Festival Fringe (2005). While at Edinburgh, the production received rave reviews from the press while playing to sold-out audiences. The production was directed by Godlight's Artistic Director, Joe Tantalo.

In the "Hard-Core Convert" sequence of the 1995 film Tales from the Hood, a character undergoes a similar rehabilitation technique.

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Release details

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See also

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References

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External links

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